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Arizona
Designer
Craftsmen

51st Anniversary
1959-2010

2010/2011 ADC workshop Calendar

WORKSHOP CANCELLATION POLICY: If you cancel any time up to thirty days before the beginning of a workshop, you will receive a refund of the money paid, minus a $35 cancellation fee. If you cancel less than thirty days before the workshop, there will be no refund unless there is a wait list with a replacement. There are no exceptions to this policy.

Upcoming events

    • September 11, 2010
    • 09:30 AM
    • September 12, 2010
    • 04:30 PM
    • Lyle Rayfield Studio - Northwest Tucson. (directions emailed with registration)
    • 9

    14kt gold earrings with agates, opals and garnets.Mark will focus on demystifying polishing tool choices, pros and cons, improving finishing skills, adding professionalism to your hand finishing techniques and featuring safe practices. Guided step by step process to achieve the finish that you have always wanted with many shortcuts revealed. Discussion and demo of common jewelry findings -- commercial vs. custom made. Some types will include belt buckle, bola tie, pin back, earring post, wire and clip. Bring projects complete except for findings and finish.

    BIO: Mark has made his living making jewelry since 1973Mark Ramsour when he earned his Bachelor of Science from Kansas State University. In Seattle for three years, he was head of production and lead jeweler for Bomac International Corporation. In Tucson he has worked for many companies including Abbott Taylor and Phyllis Woods designing her production line where he gave seminars in improved mass production, enabling jewelers to make more jewelry better and faster. For over ten years mark has been an artist/teacher in residence for Tucson Parks & Recreation and as adjunct faculty of Central Arizona College. His Publications include:

    • June, 2002 “Featured Artist” in Trish McAleer’s Metal Corrugation Surface Embellishment and Element Formation for the Metalsmith
    • January, 2010 JEWELRY ARTIST Magazine featured an article written by Mark Ramsour “Classic Agate Cuff Project: Create a Timeless Design for a Fantastic Stone”. This process explores the creation of simple appliques created without a pitch bowl – a process unique to mark called “Stump Repousse”.
    • June 1999 Lapidary Journal Jewelry Artist Mark’s featured article was on “Forge Welded Mokume Gane”
    • June of 1999 and February, 2010 TUCSON EZ-GUIDE Magazine (Complete Guide to the 2010 Tucson Showcase) featured an article written about longtime jewelry instructor Mark Ramsour “Mark Ramsour: Friend of Fire, Lover of Tools, and 36 Tucson Gem Shows”.

    SKILL LEVEL: Experienced beginner to Intermediate

    WORKSHOP FEES: $130 ADC Members/$155 Non-Members

    Material:

    To explore a variety of jewelry findings both custom and commercial students should bring any projects in progress or incomplete due to lack of findings. This should include findings parts and/or materials to produce them. A thorough discussion of relative merits of hand made vs. manufactured elements will be undertaken. Many demos will be presented including the possibility of "fixing" troubled pieces.

    The finishing part of the workshop will be interwoven in the presentation. Students should bring all manner of buffs, compound and wheels associated with their polishing process. Include any and all attachments for the flex-shaft/Dremel hand finishing method. Due to a limited availability of said flex-shaft handpieces at the venue, anyone with a Dremel-type unit should bring them. Any and all mandrels, wheels, bits, burs etc. will be helpful in understanding the depth and breadth of what is available for hand finishing. This includes all files, sand-and emery papers etc.

    If this seems too vague and/or you have further questions please call: Mark Ramsour @ 520.881.4540

    • October 16, 2010
    • 09:00 AM
    • October 17, 2010
    • 05:00 PM
    • Randolph Center Arts & Crafts Bldg#4, 200 S Alvernon Way, Tucson, 85711
    • 9

    Pewter VaseA hydraulic press is a metal frame that holds a hydraulic jack.  The force of the jack allows the user to apply extreme pressure, pushing metal through a die.  This creates a pillowed form with little stress to the metal.  This is a very exciting way of moving the metal without using hammers and stakes, marring the surface of the metal, or spending a lot of time.  It is an essential technique for production artists to be able to make 3-dimensional forms in little time and with few tools. This technique is great for all ages and skill levels of Metalsmiths and jewelers.  It is not a technique that requires a lot of strength or endurance and it does not have the stress on your joints and muscles that other forming techniques have.

    In this workshop you will learn how to make a die, how to use the hydraulic press, and how to incorporate this technique saving time, money and achieving an exciting product.  They will learn to use their die to the fullest by altering the pressed form before and after it is soldered.   They will learn to utilize the same die for different results and create their own die to take home.

    You will also have the exciting opportunity to create a vase on the press in Pewter.  Pewter is a unique metal in that it has a lower melting temperature than other metals and is also much more malleable.  You will learn to shape, solder, and fuse the pewter while creating this contemporary piece.

    BIO: Lisa Slovis Mandel is a nationally recognizedLisa Slovis Mandel metalsmith, jeweler, and teacher. She has exhibited in galleries, museums, and at shows across the country, received a SNAG Educational Endowment Grant, and several Niche Awards. She presently resides in San Diego, California with her husband David and their boys, Jacob and Gideon. Lisa teaches Metalsmithing and Design at a local Community College along with teaching workshops at various locations. She received her BFA at the University of Wisconsin - Madison in 1995 and her MFA at San Diego State University in 1998.

    "My work includes both jewelry and metal objects that allow me to thematically combine two important areas of my life, athletics and art. By incorporating movement and function in these pieces, the participant is enticed to interact with them on a more intimate and tactile level. The viewer can have fun with the pieces by touching, playing, and manipulating the arrangement of parts. The utilitarian function in my pieces draws the viewer in and not only allows them, but often forces them to interact with it. Developed around characteristics of toys and ritual or ceremonial objects, these pieces can be used, manipulated and played with."

    SKILL LEVEL:All Levels

    WORKSHOP FEES: $200 ADC Members/$225 Non-Members

    Materials and Tools:


    The following supplies will be provided for a materials fee of $50:

    • A piece of Pewter Approximately 8” x 12”
    • Lead free bismuth solder
    • Pewter flux
    • Pewter wire if needed
    • Pewter for casting
    • Plus many more tools, and things will be available for you to use that you do not have at home!

    Suggested Tools:

    • Favorite shears
    • Saw frame
    • saw blades
    • Drill bits,
    • Snap on discs (sanding discs- adalox magnum), mandrel for them
    • Coarse files that can be designated for pewter Harbor Freight has great ones for $1.99.
    • Sharpie markers
    • 1 or 2 rags
    • Any found objects that you think may mold well.
    • Any stones that you may want to cast in pewter
    • Any ready made die that you may want to create a piece with using pewter. I recommend a piece that is about 5” tall, but smaller pieces would work also.
    • November 13, 2010
    • 09:00 AM
    • November 14, 2010
    • 05:00 PM
    • Randolph Center Arts & Crafts Bldg#4, 200 S Alvernon Way, Tucson, 85711
    • 0
    Registration is closed

    Dozens of examples will be shown & discussed. Demonstrations will be given on reticulation of commercial beads, variations on the double dome bead (center hole, side hole and cold connected), the crescent roll bead, Square bead, and more as time will allow. Students can expect to make 4 -6 finished beads.

    There will be a strong emphasis on demystifying the delicate processes of soldering small hollow forms. Many hints and tips will be shared. Handouts for processes will be provided and books will be available for sale & signing.
     
    BIO:

    Pauline Warg is a jeweler, metalsmith and teacher with 30 years of experience. She has taught metalsmithing and jewelry at Maine College of Art, Portland, ME; The Jewelry Institute, Providence, RI; University of NH; MECA, Portland, ME and was the Metalsmithing Program Director, Public High Schools for York & Cumberland Counties, ME. Her work incorporates precious/non-precious metals, gems and enamel skillfully worked with great attention to detail. There are two strong elements in all of Pauline’s work: originality of design and super quality.

    SKILL LEVEL: Intermediate & Advanced

    WORKSHOP FEES: $225 ADC Members/$250 Non-Member

    MATERIALS: A Materials Kit providing sterling silver materials organized per project will cost $ 60.00, payable to instructor. This will include silver materials, non precious metal, solders and some other expendables.

    • November 20, 2010
    • 09:30 AM
    • November 21, 2010
    • 04:30 PM
    • ASU Tempe campus, School of Art Building
    • 10
    Hearing Protection Protector-A Reliquary for Ear Plugs Create elaborate containers for those cherished items you keep tucked away, wrapped up in an old sock, or something that you interact with everyday. The focus of this workshop will be designing small containers that incorporate mechanisms from basic hinges to cradle hinges, bayonet closures and more… and we can’t leave out pressure fitting. Cold connections and entrapment will also be covered as we are working with found objects which may not be able to withstand heat. Surface Hearing Protection Protector-A Reliquary for Ear Plugs-Shown opentreatments and embellishments will be addressed as well along with cutting glass for viewing options. Students will relate their design choices back to the items they choose to contain."

    BIO: Becky Chader McDonah is an Assistant Professor of Art at Arizona State University where she has headed upHearing Protection Protector-A Reliquary for Ear Plugs-Shown open the Metalworking Department since 2005.  Previous to that she was a Visiting Professor at Bowling Green State University in Ohio from 2001-2005.  Becky received her MFA from Arizona State University and her BA degree from University of Wisconsin-LaCrosse.  Originally from Wisconsin, she now finds herself in Tempe, Arizona where she served as President of the Arizona Designer Craftsmen Central Chapter 2006-2010.  Becky received the Distinguished Teacher Award in 2007 from the Herberger College of the Arts at Arizona State University.  She has participated in numerous national and international exhibitions, and has lectured and presented workshops at internationally renowned venues including Arrowmont School of Arts and Crafts in Tennessee and Interlochen Arts Academy in Michigan.  Becky has also been chosen to co-chair the 2012 Society of North American Goldsmiths (SNAG) Conference to be held in the Phoenix area.         

    SKILL LEVEL:

    WORKSHOP FEES:

    $ADC Members/$Non-Members

    MATERIALS:

    Here is a list of handy things to have.  Do not feel you need to purchase every single size and shape of wire and tubing listed, not all students will choose to make each kind of mechanism, and usually there is some trading and sharing happening since not much material is required for a small scale container.  For example, you need to purchase tubing in one foot sections and you may not need more than a couple inches for your designs. 

    Sources:
    Any jewelry/metals supplier
    Catalog numbers provided are for
    Rio Grande, Albuquerque, NM    
    www.riogrande.com  or 1(800)545-6566
    Source Code: LG227 and LT246

    Small Parts, Inc
    For copper or brass telescoping tubing
    www.smallparts.com
    1-800-220-4242

    Ace Hardware
    Many Ace stores carry the telescoping tubing as well
    Basic hand tools:
    110-043    saw frame
    110-038    2/0 saw blades or preferred size (as many as you need)
    Assorted pliers:
    111-142    Round nose pliers
    111-078    Chain-nose pliers
    111-128    flat-nose pliers
    Files (needle and larger sizes): Needle file set, bastard file, half-round file available at local hardware stores as     well as jewelry supply places
       
    Soldering supplies (flux, solder, pick)
    101-704/101-703/101-100    Hard/Medium/Easy silver solder
     
    Variety of sandpaper and your favorite flexshaft attachments for clean up and finishing
    Small metal ruler and any other templates you may have
     
    Variety of metal:
    Amount will vary depending what scale you choose to work in and what metals you prefer. 
    Sheet metal 18-20ga:
    Copper, brass, nickel are all options, but remember that nickel can be an angry bear to form and warp like a crazy banana when soldering.  For those of you who are not affected by the economy, silver and gold are also options. 
    Wire:
    Round, square, triangle or beaded, all make wonderful decorative trim or can be used in construction.  The round and square can also be used in the making of our mechanisms.  Again, this will depend on your design, so bring what you have or pick up a few different gauges. 16-20 ga round wire you can always do something with and 12-14 ga square wire will work for a variety of our mechanisms as well Indian Jewelers Supply Co. carries this in brass and nickel
    Tubing:
    Telescoping tubing for hinges.  Depending on design and dexterity, you may want to choose anywhere from 5/32 to 1/16 diameter tubing.  Just make sure one fits tightly inside the other. Small Parts, Inc. carries telescoping tubing in copper and brass.
    Stones and more…
    For those of you with lots of fancy stones, beads, globs… whatever...bring them!  Don’t forget your bezel wire in case your container calls to be encrusted or just accented! 

    Recommended Book:
    The Metalsmith’s Book of Boxes & Lockets
    By Tim McCreight
    ISBN 0-9658248-9-6
    Hand Books Press
    Madison, Wisconsin

Past events

May 01, 2010 LINDA DARTY "Setting Enamels: Beyond Bezels"
April 10, 2010 JOHN COGSWELL "Heart + Hand + Hammer: Fold-forming for Jewelry Applications"
March 20, 2010 JOAN DULLA "Crocheting with Wire - A New Technique"
March 13, 2010 CINDY MOORE "Wire-Weaving"
March 06, 2010 MARY ANN NEISZ "Chain Making: Old & New"
February 20, 2010 BOB EBENDORF "Jewelry As Personal Adornment"
February 06, 2010 MARILYN NICHOLSON "Hand-Made Catches & Mechanisms"
January 29, 2010 KARI MINNICK "The Glass Onion: Layers of Imagery & Text for Kilnformed Glass"
January 23, 2010 Demystifying Critique II with Simon Donovan
December 05, 2009 ANN TURPIN THAYER - "Wire Wrap Jewelry"
November 21, 2009 TEDD McDONAH - "Mokume-Gane"
November 21, 2009 FRED ZWEIG - "Matrimony of Metal: A Union that Won't Come Apart"
November 20, 2009 TEDD McDONAH - "Mokume-Gane" Resident Artist Lecture
October 24, 2009 JORGA RIGGENBACH - "Promote Yourself With Digital Photography: An Artist's Guide"
October 10, 2009 JONNA FAULKNER - "Techniques in Silver Metal Clay: Building a Complex Panel Bracelet"
October 03, 2009 DIANE ECHNOZ ALMEYDA - "Pierced Plique-A-Jour Enameling"
October 02, 2009 DIANE ECHNOZ ALMEYDA - "Pierced Plique-A-Jour Enameling" Lecture
May 30, 2009 Demystifying Critique - Simon Donovan
May 17, 2009 Create Your Own Website: An Artist's Guide - Martin Riggenbach
May 16, 2009 Promote Yourself with Photography: An Artist's Guide - Jorga Riggenbach
April 18, 2009 Yehuda Tassa - "Yemenite Filigree"
March 28, 2009 Lindly Haunani - "Color Inspirations in Polymer Clay"
March 14, 2009 R. Scott Cole - "Kaleidoscope Design & Construction"
February 21, 2009 Nancy Worden - "Cold Connections"
February 21, 2009 Michael Hosaluk - "Woodturning"
February 14, 2009 Joan Hubbard - "Hinges"
February 14, 2009 Sharon Church - "Carving"
February 07, 2009 Ricky Frank - "Cloisonne Enameling"
January 31, 2009 Kristen Beeler - "Modular Casting Techniques"
January 30, 2009 Shirley Webster - "Dichroic Glass A to Z"
January 17, 2009 Helen Blythe-Hart - "Heat Zone"
November 15, 2008 Tom McCarthy - "Jewelry With Moving Parts"
November 01, 2008 Connie Fox - "Charms, Dangles, Bells & Whistles"
October 16, 2008 Creative Capital Foundation-Artist's workshop
September 27, 2008 Joan Dulla - "Niobium & Cold Connections"
June 28, 2008 Metalink Workshop - Threads, Nuts and Bolts in Small Scale
May 03, 2008 Contemporary Enameling - Linda Darty
May 02, 2008 Lecture Contemporary Enameling - Linda Darty
April 12, 2008 Forging - John Cogswell
March 29, 2008 "Automata" Workshop - MICHAEL CROFT - Second Session
March 15, 2008 "Automata" Workshop - MICHAEL CROFT - First Session
 

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